Photos, Photos, Photos
February 10, 2014
The queue of Chequamegon History posts that need to be written grows much faster than my ability to write them. Lately, I’ve been backed up with mysteries surrounding a number of photographs. Many of these photos are from after 1860, so they are technically outside the scope of this website (though they involve people who were important in the pre-1860 era too.
Photograph posts are some of the hardest to write, so I decided to just run through all of them together with minimal commentary other than that needed to resolve the unanswered questions. I will link all the photos back to their sources where their full descriptions can be found. Here it goes, stream-of-consciousness style:

Ojibwa Delegation by C.M. Bell. Washington D.C. 1880 (NMAI Collections)
This whole topic started with a photo of a delegation of Lake Superior Ojibwe chiefs that sits on the windowsill of the Bayfield Public Library. Even though it is clearly after 1860, some of the names in the caption: Oshogay, George Warren, and Vincent Roy Jr. caught my attention. These men, looking past their prime, were all involved in the politics of the 1850s that I had been studying, so I wanted to find out more about the picture.
As I mentioned in the Oshogay post, this photo is also part of the digital collections of the Smithsonian, but the people are identified by different names. According to the Smithsonian, the picture was taken in Washington in 1880 by the photographer C.M. Bell.
I found a second version of this photo as well. If it wasn’t for one of the chiefs in front, you’d think it was the same picture:
While my heart wanted to believe the person, probably in the early 20th century, who labelled the Bayfield photograph, my head told me the photographer probably wouldn’t have known anything about the people of Lake Superior, and therefore could only have gotten the chiefs’ names directly from them. Plus, Bell took individual photos:

Edawigijig (Edawi-giizhig “Both Sides of the Sky”), Bad River chief and signer of the Treaty of 1854 (C.M. Bell, Smithsonian Digital Collections)

Niizhogiizhig: “Second Day,” (C.M. Bell, Smithsonian Digital Collections)

Kiskitawag (Giishkitawag: “Cut Ear”) signed multiple treaties as a warrior of the Ontonagon Band but afterwards was associated with the Bad River Band (C.M. Bell, Smithsonian Digital Collections).
By cross-referencing the individual photos with the names listed with the group photo, you can identify nine of the thirteen men. They are chiefs from Bad River, Lac Courte Oreilles, and Lac du Flambeau.
According to this, the man identified by the library caption as Vincent Roy Jr., was in fact Ogimaagiizhig (Sky Chief). He does have a resemblance to Roy, so I’ll forgive whoever it was, even if it means having to go back and correct my Vincent Roy post:

Vincent Roy Jr. From C. Verwyst’s Life and Labors of Rt. Rev. Frederic Baraga, First Bishop of Marquette, Mich: To which are Added Short Sketches of the Lives and Labors of Other Indian Missionaries of the Northwest (Digitized by Google Books)

Top: Frank Roy, Vincent Roy, E. Roussin, Old Frank D.o., Bottom: Peter Roy, Jos. Gourneau (Gurnoe), D. Geo. Morrison. The photo is labelled Chippewa Treaty in Washington 1845 by the St. Louis Hist. Lib and Douglas County Museum, but if it is in fact in Washington, it was probably the Bois Forte Treaty of 1866, where these men acted as conductors and interpreters (Digitized by Mary E. Carlson for The Sawmill Community at Roy’s Point).
So now that we know who went on the 1880 trip, it begs the question of why they went. The records I’ve found haven’t been overly clear, but it appears that it involved a bill in the senate for “severalty” of the Ojibwe reservations in Wisconsin. A precursor to the 1888 Allotment Act of Senator Henry Dawes, this legislation was proposed by Senator Thaddeus C. Pound of Wisconsin. It would divide the reservations into parcels for individual families and sell the remaining lands to the government, thereby greatly reducing the size of the reservations and opening the lands up for logging.
Pound spent a lot of time on Indian issues and while he isn’t as well known as Dawes or as Richard Henry Pratt the founder of the Carlisle Indian School, he probably should be. Pound was a friend of Pratt’s and an early advocate of boarding schools as a way to destroy Native cultures as a way to uplift Native peoples.
I’m sure that Pound’s legislation was all written solely with the welfare of the Ojibwe in mind, and it had nothing to do with the fact that he was a wealthy lumber baron from Chippewa Falls who was advocating damming the Chippewa River (and flooding Lac Courte Oreilles decades before it actually happened). All sarcasm aside, if any American Indian Studies students need a thesis topic, or if any L.C.O. band members need a new dartboard cover, I highly recommend targeting Senator Pound.
Like many self-proclaimed “Friends of the Indian” in the 1880s, Senator Thaddeus C. Pound of Wisconsin thought the government should be friendly to Indians by taking away more of their land and culture. That he stood to make a boatload of money out of it was just a bonus (Brady & Handy: Wikimedia Commons).
While we know Pound’s motivations, it doesn’t explain why the chiefs came to Washington. According to the Indian Agent at Bayfield they were brought in to support the legislation. We also know they toured Carlisle and visited the Ojibwe students there. There are a number of potential explanations, but without having the chiefs’ side of the story, I hesitate to speculate. However, it does explain the photograph.
Now, let’s look at what a couple of these men looked like two decades earlier:

This stereocard of Giishkitawag was produced in the early 1870s, but the original photo was probably taken in the early 1860s (Denver Public Library).

By the mid 1850s, Akiwenzii (Old Man) was the most prominent chief of the Lac Courte Oreilles Band. This stereocard was made by Whitney and Zimmerman c.1870 from an original possibly by James E. Martin in the late 1850s or early 1860s (Denver Public Library).
Giishkitawag and Akiwenzii are seem to have aged quite a bit between the early 1860s, when these photos were taken, and 1880 but they are still easily recognized. The earlier photos were taken in St. Paul by the photographers Joel E. Whitney and James E. Martin. Their galleries, especially after Whitney partnered with Charles Zimmerman, produced hundreds of these images on cards and stereoviews for an American public anxious to see real images of Indian leaders.
Giishkitawag and Akiwenzii were not the only Lake Superior chiefs to end up on these souvenirs. Aamoons (Little Bee), of Lac du Flambeau appears to have been a popular subject:

Aamoons (Little Bee) was a prominent chief from Lac du Flambeau (Denver Public Library).
As the images were reproduced throughout the 1870s, it appears the studios stopped caring who the photos were actually depicting:
One wonders what the greater insult to Aamoons was: reducing him to being simply “Chippewa Brave” as Whitney and Zimmerman did here, or completely misidentifying him as Na-gun-ub (Naaganab) as a later stereo reproduction as W. M. McLeish does here:

Chief identified as Na-gun-ub (Minnesota Historical Society)
Aamoons and Naaganab don’t even look alike…

Naaganab (Minnesota Historical Society)
…but the Lac du Flambeau and Fond du Lac chiefs were probably photographed in St. Paul around the time they were both part of a delegation to President Lincoln in 1862.

Chippewa Delegation 1862 by Matthew Brady? (Minnesota Historical Society)
Naaganab (seated middle) and Aamoons (back row, second from left) are pretty easy to spot, and if you look closely, you’ll see Giishkitawag, Akiwenzii, and a younger Edawi-giizhig (4th, 5th, and 6th from left, back row) were there too. I can’t find individual photos of the other chiefs, but there is a place we can find their names.
Benjamin Armstrong, who interpreted for the delegation, included a version of the image in his memoir Early Life Among the Indians. He identifies the men who went with him as:
Ah-moose (Little Bee) from Lac Flambeau Reservation, Kish-ke-taw-ug (Cut Ear) from Bad River Reservation, Ba-quas (He Sews) from Lac Courte O’Rielles Reservation, Ah-do-ga-zik (Last Day) from Bad River Reservation, O-be-quot (Firm) from Fond du Lac Reservation, Sing-quak-onse (Little Pine) from La Pointe Reservation, Ja-ge-gwa-yo (Can’t Tell) from La Pointe Reservation, Na-gon-ab (He Sits Ahead) from Fond du Lac Reservation, and O-ma-shin-a-way (Messenger) from Bad River Reservation.
It appears that Armstrong listed the men according to their order in the photograph. He identifies Akiwenzii as “Ba-quas (He Sews),” which until I find otherwise, I’m going to assume the chief had two names (a common occurrence) since the village is the same. Aamoons, Giishkitawag, Edawi-giizhig and Naaganab are all in the photograph in the places corresponding to the order in Armstrong’s list. That means we can identify the other men in the photo.
I don’t know anything about O-be-quot from Fond du Lac (who appears to have been moved in the engraving) or S[h]ing-guak-onse from Red Cliff (who is cut out of the photo entirely) other than the fact that the latter shares a name with a famous 19th-century Sault Ste. Marie chief. Travis Armstrong’s outstanding website, chiefbuffalo.com, has more information on these chiefs and the mission of the delegation.
Seated to the right of Naaganab, in front of Edawi-giizhig is Omizhinawe, the brother of and speaker for Blackbird of Bad River. Finally, the broad-shouldered chief on the bottom left is “Ja-ge-gwa-yo (Can’t Tell)” from Red Cliff. This is Jajigwyong, the son of Chief Buffalo, who signed the treaties as a chief in his own right. Jayjigwyong, sometimes called Little Chief Buffalo, was known for being an early convert to Catholicism and for encouraging his followers to dress in European style. Indeed, we see him and the rest of the chiefs dressed in buttoned coats and bow-ties and wearing their Lincoln medals.
Wait a minute… button coats?… bow-ties?… medals?…. a chief identified as Buffalo…That reminds me of…
This image is generally identified as Chief Buffalo (Wikimedia Commons)
Anyway, with that mystery solved, we can move on to the next one. It concerns a photograph that is well-known to any student of Chequamegon-area history in the mid 19th century (or any Chequamegon History reader who looks at the banners on the side of this page).Noooooo!!!!!!! I’ve been trying to identify the person in The above “Chief Buffalo” photo for years, and the answer was in Armstrong all along! Now I need to revise this post among others. I had already begun to suspect it was Jayjigwyong rather than his father, but my evidence was circumstantial. This leaves me without a doubt. This picture of the younger Chief Buffalo, not his more-famous father.
The photo showing an annuity payment, must have been widely distributed in its day, because it has made it’s way into various formats in archives and historical societies around the world. It has also been reproduced in several secondary works including Ronald Satz’ Chippewa Treaty Rights, Patty Loew’s Indian Nations of Wisconsin, Hamilton Ross’ La Pointe: Village Outpost on Madeline Island, and in numerous other pamphlets, videos, and displays in the Chequamegon Region. However, few seem to agree on the basic facts:
When was it taken?
Where was it taken?
Who was the photographer?
Who are the people in the photograph?
We’ll start with a cropped version that seems to be the most popular in reproductions:

According to Hamilton Ross and the Wisconsin Historical Society: “Annuity Payment at La Pointe: Indians receiving payment. Seated on the right is John W. Bell. Others are, left to right, Asaph Whittlesey, Agent Henry C. Gilbert, and William S. Warren (son of Truman Warren).” 1870. Photographer Charles Zimmerman (more info).
In the next one, we see a wider version of the image turned into a souvenir card much like the ones of the chiefs further up the post:

According to the Minnesota Historical Society “Scene at Indian payment, Wisconsin; man in black hat, lower right, is identified as Richard Bardon, Superior, Wisconsin, then acting Indian school teacher and farmer” c.1871 by Charles Zimmerman (more info).
In this version, we can see more foreground and the backs of the two men sitting in front.

According to the Library of Congress: “Cherokee payments(?). Several men seated around table counting coins; large group of Native Americans stand in background.” Published 1870-1900 (more info).
The image also exists in engraved forms, both slightly modified…

According to Benjamin Armstrong: “Annuity papment [sic] at La Pointe 1852” (From Armstrong’s Early Life Among the Indians)
…and greatly-modified.

Harper’s Weekly August 5, 1871: “Payment of Indian Annuities–Coming up to the Pay Table.” (more info)
It should also be mentioned that another image exists that was clearly taken on the same day. We see many of the same faces in the crowd:
Scene at Indian payment, probably at Odanah, Wisconsin. c.1865 by Charles Zimmerman (more info)
We have a lot of conflicting information here. If we exclude the Library of Congress Cherokee reference, we can be pretty sure that this is an annuity payment at La Pointe or Odanah, which means it was to the Lake Superior Ojibwe. However, we have dates ranging from as early as 1852 up to 1900. These payments took place, interrupted from 1850-1852 by the Sandy Lake Removal, from 1837 to 1874.
Although he would have attended a number of these payments, Benjamin Armstrong’s date of 1852, is too early. A number of secondary sources have connected this photo to dates in the early 1850s, but outside of Armstrong, there is no evidence to support it.
Charles Zimmerman, who is credited as the photographer when someone is credited, became active in St. Paul in the late 1860s, which would point to the 1870-71 dates as more likely. However, if you scroll up the page and look at Giishkitaawag, Akiwenzii, and Aamoons again, you’ll see that these photos, (taken in the early 1860s) are credited to “Whitney & Zimmerman,” even though they predate Zimmerman’s career.
What happened was that Zimmerman partnered with Joel Whitney around 1870, eventually taking over the business, and inherited all Whitney’s negatives (and apparently those of James Martin as well). There must have been an increase in demand for images of Indian peoples in the 1870s, because Zimmerman re-released many of the earlier Whitney images.
So, we’re left with a question. Did Zimmerman take the photograph of the annuity payment around 1870, or did he simply reproduce a Whitney negative from a decade earlier?
I had a hard time finding any primary information that would point to an answer. However, the Summer 1990 edition of the Minnesota History magazine includes an article by Bonnie G. Wilson called Working the Light: Nineteenth Century Professional Photographers in Minnesota. In this article, we find the following:
“…Zimmerman was not a stay-at-home artist. He took some of his era’s finest landscape photos of Minnesota, specializing in stereographs of the Twin Cities area, but also traveling to Odanah, Wisconsin for an Indian annuity payment…”
In the footnotes, Wilson writes:
“The MHS has ten views in the Odanah series, which were used as a basis for engravings in Harper’s Weekly, Aug. 5, 1871. See also Winona Republican, Oct. 12, 1869 p.3;”
Not having access to the Winona Republican, I tried to see how many of the “Odanah series” I could track down. Zimmerman must have sold a lot of stereocards, because this task was surprisingly easy. Not all are labelled as being in Odanah, but the backgrounds are similar enough to suggest they were all taken in the same place. Click on them to view enlarged versions at various digital archives.

Scene at Indian Payment, Odanah Wisconsin (Minnesota Historical Society)

Chippewa Wedding (British Museum)

Domestic Life–Chippewa Indians (British Museum)

Chippewa Wedding (British Museum)
Finally…
So, if Zimmerman took the “Odanah series” in 1869, and the pay table image is part of it, then this is a picture of the 1869 payment. To be absolutely certain, we should try to identify the men in the image.
This task is easier than ever because the New York Public Library has uploaded a high-resolution scan of the Whitney & Zimmerman stereocard version to Wikimedia Commons. For the first time, we can really get a close look at the men and women in this photo.
They say a picture tells a thousand words. I’m thinking I could write ten-thousand and still not say as much as the faces in this picture.
To try to date the photo, I decided to concentrate the six most conspicuous men in the photo:
1) The chief in the fur cap whose face in the shadows.
2) The gray-haired man standing behind him.
3) The man sitting behind the table who is handing over a payment.
4) The man with the long beard, cigar, and top hat.
5) The man with the goatee looking down at the money sitting to the left of the top-hat guy (to the right in our view)
6) The man with glasses sitting at the table nearest the photographer
According to Hamilton Ross, #3 is Asaph Whittlesey, #4 is Agent Henry Gilbert, #5 is William S. Warren (son of Truman), and #6 is John W. Bell. While all four of those men could have been found at annuity payments as various points between 1850 and 1870, this appears to be a total guess by Ross. Three of the four men appear to be of at least partial Native descent and only one (Warren) of those identified by Ross was Ojibwe. Chronologically, it doesn’t add up either. Those four wouldn’t have been at the same table at the same time. Additionally, we can cross-reference two of them with other photos.

Asaph Whittlesey was an interesting looking dude, but he’s not in the Zimmerman photo (Wisconsin Historical Society).

Henry C. Gilbert was the Indian Agent during the Treaty of 1854 and oversaw the 1855 annuity payment, but he was dead by the time the “Zimmerman” photo was taken (Branch County Photographs)
Whittlesey and Gilbert are not in the photograph.
The man who I label as #5 is identified by Ross as William S. Warren. This seems like a reasonable guess, though considering the others, I don’t know that it’s based on any evidence. Warren, who shares a first name with his famous uncle William Whipple Warren, worked as a missionary in this area.
The man I label #6 is called John W. Bell by Ross and Richard Bardon by the Minnesota Historical Society. I highly doubt either of these. I haven’t found photos of either to confirm, but the Ireland-born Bardon and the Montreal-born Bell were both white men. Mr. 6 appears to be Native. I did briefly consider Bell as a suspect for #4, though.
Neither Ross nor the Minnesota Historical Society speculated on #1 or #2.
At this point, I cannot positively identify Mssrs. 1, 2, 3, 5, or 6. I have suspicions about each, but I am not skilled at matching faces, so these are wild guesses at this point:
#1 is too covered in shadows for a clear identification. However, the fact that he is wearing the traditional fur headwrap of an Ojibwe civil chief, along with a warrior’s feather, indicates that he is one of the traditional chiefs, probably from Bad River but possibly from Lac Courte Oreilles or Lac du Flambeau. I can’t see his face well enough to say whether or not he’s in one of the delegation photos from the top of the post.
#2 could be Edawi-giizhig (see above), but I can’t be certain.
#3 is also tricky. When I started to examine this photo, one of the faces I was looking for was that of Joseph Gurnoe of Red Cliff. You can see him in a picture toward the top of the post with the Roy brothers. Gurnoe was very active with the Indian Agency in Bayfield as a clerk, interpreter, and in other positions. Comparing the two photos I can’t say whether or not that’s him. Leave a comment if you think you know.
#5 could be a number of different people.
#6 I don’t have a solid guess on either. His apparent age, and the fact that the Minnesota Historical Society’s guess was a government farmer and schoolteacher, makes me wonder about Henry Blatchford. Blatchford took over the Odanah Mission and farm from Leonard Wheeler in the 1860s. This was after spending decades as Rev. Sherman Hall’s interpreter, and as a teacher and missionary in La Pointe and Odanah area. When this photo was taken, Blatchford had nearly four decades of experience as an interpreter for the Government. I don’t have any proof that it’s him, but he is someone who is easy to imagine having a place at the pay table.
Finally, I’ll backtrack to #4, whose clearly identifiable gray-streaked beard allows us to firmly date the photo. The man is Col. John H. Knight, who came to Bayfield as Indian Agent in 1869.

Col. John H. Knight (Wisconsin Historical Society)
Knight oversaw a couple of annuity payments, but considering the other evidence, I’m confident that the popular image that decorates the sides of the Chequamegon History site was indeed taken at Odanah by Charles Zimmerman at the 1869 annuity payment.
Do you agree? Do you disagree? Have you spotted anything in any of these photos that begs for more investigation? Leave a comment.
As for myself, it’s a relief to finally get all these photo mysteries out of my post backlog. The 1870 date on the Zimmerman photo reminds me that I’m spending too much time in the later 19th century. After all, the subtitle of this website says it’s history before 1860. I think it might be time to go back for a while to the days of the old North West Company or maybe even to Pontiac. Stay tuned, and thanks for reading,
Chief Buffalo Picture Search: The Armstrong Engraving
October 3, 2013
This post is one of several that seek to determine how many images exist of Great Buffalo, the famous La Pointe Ojibwe chief who died in 1855. To learn why this is necessary, please read this post introducing the Great Chief Buffalo Picture Search.
In 1892, thirty-seven years after the death of the La Pointe Chief Buffalo, a curious book appeared on the market. It was printed by A.W, Bowron of Ashland, Wisconsin, just south of Madeline Island at the end of Chequamegon Bay. It was titled Early Life Among the Indians: Reminiscences From the Life of Benj. G. Armstrong. More than any other book, this work has informed the public about the life of Buffalo, and it contains the only complete account of his famous 1852 journey to Washington D.C.
Benjamin Armstrong was born in Alabama. As a young man, he travelled throughout the South and up the Mississippi River eventually making it to Wisconsin. He learned Ojibwe, settled on Madeline Island, and married one of Buffalo’s nieces. Over time, he became Buffalo’s personal interpreter and accompanied him to Washington. His work translating the 1854 Treaty of La Pointe, which established reservations in Wisconsin on largely favorable terms to the Ojibwe, led Buffalo to refer to him as an adopted son. The chief even inserted a provision for a section of land for Armstrong within the ceded territory. The land Armstrong chose was at the site where downtown Duluth would rise.
Over the next several decades, Armstrong battled poverty, temporary blindness, and alcohol. He was duped into trading away his claim on Duluth and lost his bid to regain it in the U.S. Supreme Court. Had he hung on to the land, it would have made him very wealthy, but instead, he remained poor in the Chequamegon region. As he neared the end of his life, he decided to team with Thomas P. Wentworth of Ashland to record his memoirs. The work was completed in 1891 and went to press the following year.
Early Life Among the Indians is a complex work. Much of it contains rich details that could only have come from the true experiences of an insider. Other parts appear to be wholly fabricated. Armstrong’s tone is more that of a northwoods storyteller than it is of a academic historian. Faced with this dilemma, modern scholars of Ojibwe history have either fully embraced Armstrong or have completely rejected him. For the purposes of this study, we cannot do either.

Some of the images in Armstrong’s memior seem to have been created especially for the work and were not derived from earlier photographs (Marr and Richards Co.).
In the first two chapters, Armstrong describes the trip to Washington. He mentions himself, Buffalo, and the young orator Oshogay, making the trip along with four other Ojibwe men. From other sources, we know that a young mixed-blood from La Pointe, Vincent Roy Jr., was also part of the delegation. Within these two chapters, there are two images. Each may contain a representation of Buffalo.
All of the images in the book are from engravings produced by the Marr and Richards Engraving Company of Milwaukee. Born and trained in Germany, master engraver John Marr had started the company with the American-born George Richards in 1888. Their highly-precise maps, and illustrations appeared throughout the upper Midwest during this time period. For Early Life Among the Indians, it appears that Marr and Richards produced two types of engravings. One type was derived from original photographs, and the others were original designs to illustrate incidents from Armstrong’s stories. Of the latter type, a plate between pages 32 and 33 shows an image of five Indians huddled around a fire during a fierce thunderstorm. A bearded figure in a raincoat, presumably Armstrong, stands in the background.
This image, called Encountered on the Tpip [sic] to Washington., illustrates a part of Armstrong’s story where the delegation had to pull their canoe out of the water during a storm on the south shore of Lake Superior on the first leg of the journey. Of the five Ojibwe men shown, the one with the most feathers, nearest the viewer with his back and profile visible is the most prominent. However, all five are simple renderings that play into Indian stereotypes of the day and do not appear to be based on any real images. So, while the illustrators may have intended one to show Buffalo, this image was produced long after his death and does nothing to suggest what he would have looked like.

Washington Delegation, June 22, 1852: Chief Buffalo led this famous Ojibwe delegation to Washington, so it is assumed he is one of the men in this engraving, but which one? The original photograph has not been located (Marr and Richards Co.).
The image labelled Washington Delegation, June 22,1852, between pages 16 and 17, is much more intriguing. It shows three seated men in front of three standing men. The man standing on the right appears to be Armstrong, but the rest of them are not identified. There has been a lot of speculation whether or not this image shows Chief Buffalo. The man seated in the middle with the large white sash across his chest was featured on on poster of Buffalo released by the Minnesota Historical Society in the 1980s. He does appear to be the oldest and most prominent of the group. However, the man holding a pipe sitting to his left (bottom right in the picture)was used as the model for the large outdoor mural of Buffalo on the corner of Highways 2 and 13 in Ashland.
Besides the title and the engraver’s mark, there is no other information to identify the origin of this image. It almost certainly came from a photograph. Two similar engravings, found elsewhere in the book can be traced to specific photos. One Armstrong identifies as being the 1862 Ojibwe delegation to President Lincoln. In the engraving, seven chiefs stand behind three who sit. Again, the men are not identified, but Armstrong lists the names of the chiefs who accompanied him on pages 66 and 67. The Fond du Lac chief, Naaganab (Sits in Front) is identifiable from other photographs. As his name would suggest, he is seated in front in the center.
The photograph this engraving was made from was taken by the famous Civil War photographer Matthew Brady, and it can be found in the collections of the Minnesota Historical Society. From the postures and facial expressions of the men, it is clear the engraving was made from this photo. However, the two images are not exact duplicates. The man standing third from the left in the photo appears to have been moved to the far right in the engraving, and to the right of him, we see another man who is not in the photo. Because the photograph from MHS cuts off immediately to the right of the man who is third from the right in the engraving, it is impossible to know whether or not anyone stood there when the photo was taken.
The other engraving based on a photograph appears between pages 134 and 135. Armstrong identifies it as Annuity papement [sic] at La Pointe, 1852. The photograph it comes from, by Charles Zimmerman, is well known to scholars of this time period, and it appears in many secondary works. One copy is held by the Wisconsin Historical Society. It shows four government officials from La Pointe seated at a table surrounded by Ojibwe men and women waiting to receive their treaty payments. Sources vary on the date. The Historical Society identifies it as 1870 and describes it as “Indians receiving payment. Seated on the right is John W. Bell. Others are, left to right, Asaph Whittlesey, Agent Henry C. Gilbert, and William S. Warren (son of Truman Warren).”
While the engraving of the 1852 Delegation is clearly also from a photograph, the original has not been located. If it exists, and contains any more identifying information, it represents possibly the best opportunity to see what Buffalo looked like. We need to find the photo!
The Verdict



















